Jim Harrington
Jim Harrington began his creative life behind a microphone, building a long career in broadcasting, production, writing, and media. His work has included radio, television, voice work, podcasting, screenwriting, and fiction — all rooted in a lifelong fascination with story, character, history, suspense, and the unseen forces that shape human events.
As a novelist and screenwriter, Harrington writes across genres, blending mystery, thriller, historical fiction, science fiction, and the supernatural. His books include Squeeze Play, Strike at the Giant, and Ad Infinitum, a time-travel thriller that begins in the smoke and violence of Gettysburg and moves into an impossible future where history itself becomes a battlefield. Dover & Blackstone is the home for Harrington’s novels, screenplays, media work, and related creative projects.
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Author's Note: Temporal Echoes in Ad Infinitum
Readers of 'Ad Infinitum' may notice that certain moments in the story seem to return from a slightly different angle. A scene, discovery, or exchange may echo across chapters, not as a simple repetition, but as a deliberate part of the novel’s structure.
I call these moments Temporal Echoes.
In a conventional story, time moves in a straight line. But 'Ad Infinitum' is not a conventional journey through time. It is a story about unstable timelines, altered history, overlapping memory, and the pressure created when past, present, and future collide. The echoes are meant to place the reader inside that instability — to suggest that time itself is rippling, refracting, and briefly replaying events through a different lens.
Like recurring motifs in music or repeated visual patterns in a painting, these echoes are part of the design. They reorient the reader, deepen the moment, and remind us that in the world of 'Ad Infinitum', time is not merely traveled through. It is disturbed.
I call these moments Temporal Echoes.
In a conventional story, time moves in a straight line. But 'Ad Infinitum' is not a conventional journey through time. It is a story about unstable timelines, altered history, overlapping memory, and the pressure created when past, present, and future collide. The echoes are meant to place the reader inside that instability — to suggest that time itself is rippling, refracting, and briefly replaying events through a different lens.
Like recurring motifs in music or repeated visual patterns in a painting, these echoes are part of the design. They reorient the reader, deepen the moment, and remind us that in the world of 'Ad Infinitum', time is not merely traveled through. It is disturbed.